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Monday, January 13th, 1986. Victor Wilcox lies awake, in the dark bedroom, waiting for his quartz alarm clock to bleep. It is set to do this at 6.45. How long he has to wait he doesn't know. He could easily find out by groping for the clock, hfting it to his line of vision, and pressing the button that illuminates the digital display. But he would rather not know. Supposing it is only six o'clock? Or even five? It could be five. Whatever it is, he won't be able to get to sleep again. This has become a regular occurrence lately: lying awake in the dark, waiting for the alarm to bleep, worrying.
Worries streak towards him like enemy spaceships in one of Gary's video games. He flinches, dodges, zaps them with instant solutions, but the assault is endless: the Avco account, the Rawlinson account, the price of pig-iron, the value of the pound, the competition from Foundrax, the incompetence of his Marketing Director, the persistent breakdowns of the core blowers, the vandalizing of the toilets in the fettling shop, the pressure from his divisional boss, last month's accounts, the quarterly forecast, the annual review . . .
In an effort to escape this bombardment, perhaps even to doze awhile, he twists on to his side, burrows into the warm plump body of his wife, and throws an arm round her waist. Startled, but still asleep, drugged with Valium, Marjorie swivels to face him. Their noses and foreheads bump against each other; there is a sudden flurry of limbs, an absurd pantomime struggle. Marjorie puts up her fists like a pugilist, groans and pushes him away. An object slides off the bed on her side and falls to the floor with a
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